Video cue playback for live events, exhibitions, theatre, broadcast, and every show where the next clip has to be ready before the room notices, with deep control over cues, outputs, timecode, audio, subtitles, and show-control integrations.
Demo for macOS 10.15 - macOS 26
Rental and perpetual licenses
Mitti is designed around the live playback operator: a readable cue stack, obvious transport controls, immediate feedback, and enough detail on screen to solve problems before they reach the output.
Build playlists around cues that can pause, loop, fade, jump, hold, or hand off to the next moment exactly as rehearsed.
Runs natively on Apple Silicon and Intel Macs, with Metal rendering for smooth playback on modern macOS systems.
Send video to displays, Blackmagic Design hardware, NDI, Syphon, and multi-screen outputs with warping and blending controls.
Trigger playback from MIDI, OSC, DMX over Art-Net, timecode, ATEM switchers, NDI receivers, Stream Deck, or Companion.
Render subtitles, closed captions, elapsed time, remaining time, and matte or overlay information on outputs when the production needs it.
Imimot support is direct and practical, with a goal of replying within 24 hours and usually much sooner.
Live playback is rarely just play and stop. Mitti lets each cue carry the behavior it needs, so the operator can run the show from a clear list instead of remembering one-off instructions.
The Cue Inspector keeps the production details close to the selected cue. Confirm media information, trim in and out points, set subtitles, adjust geometry, route audio, and make notes without leaving the playback context.
Select multiple cues to update shared controls in one move, which makes cleanup and last-minute changes less fragile.
Give cues names, IDs, colors, and notes that make sense to operators, stage managers, and handoff documents.
Set In and Out points directly from the playhead when a file is close but not quite show-ready.
Adjust playback speed, geometry, color, transitions, fades, volume, routing, and subtitle choices where they belong.
The waveform gives operators a quick read on the shape of a cue, helps with timing decisions, and exposes possible encoding issues during preparation. Audio normalization can bring cue loudness into a more consistent range across a playlist.
Understand the cue at a glance and set In and Out points by dragging the handles.
Route audio per cue and send audio automatically on Blackmagic and NDI outputs.
Normalize cue audio so mixed source files behave more predictably in a show playlist.
Mitti can sit inside a larger show-control, projection, or broadcast chain without pretending the Mac is the only thing in the room.
Trigger playback from an ATEM input selection, define switch-off behavior, and control Mitti like a HyperDeck from ATEM Software Control.
Trigger playback when Mitti output is selected to Program by an NDI receiver and choose what happens on deselect.
Output to multiple displays, Blackmagic DeckLink or UltraStudio devices, NDI, and Syphon, with corner pinning and edge blending available for complex screens.
Sync multiple Mitti instances on the local network with Imimot NMC when one playback machine is not enough.
Keep your hands on the surface that fits the job. Mitti can be driven from hardware, software, and timecode sources while still giving clear feedback to the operator.
Use the native Stream Deck plugin or Bitfocus Companion to trigger cues, select cues, rewind, jump, and show time feedback.
Control Mitti with MMC, MSC, musical MIDI, OSC/UDP with feedback and OSC Query, or DMX via Art-Net.
Follow external MIDI Timecode or Linear Timecode from generators, show-control systems, or DAWs, with internal clock and Jam-Sync options available.
Some tools are not headline features until the day they save a rehearsal, a changeover, or a touring handoff.
Drag files or folders into Mitti, reorder cues directly, and bundle playlists with their media for another computer.
Convert last-minute files to ProRes or HAP from inside the workflow instead of rebuilding the show around bad media.
Render 10-bit content, handle transparent areas with a matte color, and use a checkerboard preview background for alpha-channel media.
Display subtitles, closed captions, cue elapsed time, cue remaining time, and other overlays on selected outputs.
Use corner pinning and edge blending to make multi-screen output feel less like a custom engineering project.
Use native Apple Silicon or Intel Macs and take advantage of supported hardware such as Blackmagic devices and Apple Afterburner.
When a show machine behaves strangely, a codec does not cooperate, or you need advice before a venue day, support should be direct. Imimot aims to answer messages within 24 hours and is usually faster.
Start with the free demo, then choose the license model that matches the run: short-term rental or a non-expiring perpetual license.
from $79.8(+ TAX) per license
from $399(+ TAX) per license
Licenses are sent by email and cannot be returned, so the free demo is the best way to confirm Mitti fits the workflow.
Already have a Mitti license key? Use Your Account to check upgrade options. Existing upgrade pricing is 50% off retail.
Students, teachers, and schools can request a 30% discount with proof of academic status via contact support.